THE FIRST SEASON
"ALICE`S DREAMS"
Season One: Alice’s Dreams is a collection of 10 modular sound libraries designed for flexible use across various media formats — film, games, music production, theatre, and digital art. Each library consists of multi-layered tracks that offer structural depth: intro, development, transition, and continuation.
All libraries share a unified framework and timeline logic, allowing users to combine sounds from different collections without conflict. Despite stylistic variation, sounds across the entire season are compatible and blend smoothly, even without detailed mixing.
The sound library is user-friendly even for creators with minimal audio experience. The materials are organized for intuitive use — sounds can be layered and arranged like construction kit, with minimal setup.
You can download free horror audio samples to explore the features and content of our sound library.
After that, come back and get access to the full horror sound library.
It’s not free, but it’s available at very affordable prices.
01 - EPISODE
ALICE`S DREAMS
$20
Files: 289
Sounds: ~1160
Size: 2.60gb
Info: PDF
Duration: 03:00:20
Folders: 6
Format: WAV - 24bit - 44kHz
ALICE’S DREAMS is a horror sound library designed for immersive audio storytelling in film, games, podcasts, and theater.
It blends subtle tension with surreal textures, perfect for creating dreamlike horror audio. Each track offers structure — intro, build-up, climax, continuation — and works seamlessly with other libraries from the same season.
Whether you're a pro or beginner, these horror sound effects help you build rich, atmospheric scenes fast.
Niko J
experimental music producer
(Germany)
"I took some ambient drones from ALICE’S DREAMS and paired them with glitchy elements from PALIKO CAME. The result was a slow, uneasy build — exactly what I needed."
Liam R
indie filmmaker
(Canada)
"ALICE’S DREAMS gave my short film an uneasy, dreamlike quality. I layered it with elements from THE GHOUL, LOST SOULS for the darker moments — the combination was perfect."
Marie L
Halloween event organizer
(France)
"For a Halloween exhibition, I looped ALICE’S DREAMS with background textures from FOREST BELT. It filled the space with quiet dread — no jumpscares needed."
Amelia T.
theatre sound designer (UK)
"I used ALICE’S DREAMS as the base for a stage scene involving hallucinations. Adding touches from LOST CHILDHOOD helped bring out that surreal, emotional undertone."
02 - EPISODE
LOST SOULS
$20
Files: 289
Sounds: ~1160
Size: 2.50gb
Info: PDF
Duration: 02:49:10
Folders: 6
Format: WAV - 24bit - 44kHz
LOST SOULS — Atmospheric Horror Sound Library for Deep Psychological Tension
It is a sound library focused on inner darkness, silence, and emotional suspense. Built for use in film, games, podcasts, and interactive media, it delivers layered horror audio textures that whisper, drift, and disturb.
The sounds evoke disorientation, loss, and quiet dread — making this library perfect for psychological horror, ghost stories, and ambient horror sound design. Every track unfolds like a fading memory, structured for intuitive use: intro, rise, climax, and continuation.
LOST SOULS integrates flawlessly with other libraries from the Alice’s Dreams season. Its modular design makes it easy to combine and build immersive horror sound effects without complex mixing.
Wert-11
game developer (Germany)
"I layered LOST SOULS with textures from THE GHOUL for a night scene in my game. It gave the forest level a haunted, slow-burn feel."
Liam R
indie filmmaker
(Canada)
"I used LOST SOULS as the ambient layer for a slow scene in my short film. Later, I added a bit of SOMETHING IS WRONG to push the tension. Worked better than I expected."
— Liam R., indie filmmaker (Canada)
Arjun P
podcast producer (India)
"LOST SOULS go great together for podcast narration. One is darker, the other more surreal. I use both to shift tone between segments."
Tasha R
YouTube content creator (USA)
"Added LOST SOULS to the intro of a paranormal story video. Subtle enough to let the voice shine through, but still adds tension right away."
03 - EPISODE
MEANING
$20
Files: 316
Sounds: ~1270
Size: 2.50gb
Info: PDF
Duration: 02:51:24
Folders: 6
Format: WAV - 24bit - 44kHz
MEANING — Horror Sound Library for Emotional Depth
MEANING is a subtle and introspective horror sound library focused on quiet tension and slow emotional shifts. Ideal for psychological thrillers, narrative podcasts, or abstract scenes in games and film, this collection delivers restrained, layered horror audio with a deep sense of space and stillness.
Its structure follows the modular format of the Alice’s Dreams season — intro, development, climax, continuation — and works flawlessly with any other library in the series.
Whether you're building ambient tension or scoring internal monologues, MEANING offers uniquely delicate horror sound effects that resonate.
Ellie J
film student
(Australia)
"MEANING worked well in a scene where my character walks through empty streets. I added a low layer from FOREST BELT — the result felt real, like being stuck inside your head."
Luis M
theatre sound designer (Spain)
"For an audio scene with no dialogue, MEANING gave me just enough emotional space. I blended it with PALIKO CAME for subtle unease. Didn’t need much else."
M1ST
experimental musician (Canada)
"Tried layering MEANING with THE PLASTIC WAS STILL WARM for a spoken word piece. It gave a nice contrast — one was introspective, the other had this industrial edge."
JAY D
beatmaker
(USA)
"I sampled a pad from MEANING into a lo-fi beat and layered it with whispers from SOMETHING IS WRONG. Gave the track a strange emotional undertone — people noticed."
04 - EPISODE
PERFORMANCE
$20
Files: 309
Sounds: ~1240
Size: 2.70gb
Info: PDF
Duration: 03:03:10
Folders: 6
Format: WAV - 24bit - 44kHz
PERFORMANCE — Theatrical Horror Sound Library with Broken Elegance
PERFORMANCE is a stylized horror sound library crafted for scenes that feel theatrical, surreal, and emotionally fractured. Inspired by abandoned stages and lost moments, this horror audio collection is ideal for films, immersive events, and conceptual art.
Each track contains built-in movement: from eerie stillness to emotional peaks. Use it to underscore silence, performative tension, or uncanny environments.
Compatible with all sound libraries from the Alice’s Dreams season, PERFORMANCE blends beautifully into modular horror sound design workflows.
CROWN8
hip-hop producer (France)
"PERFORMANCE has this raw, almost uncomfortable energy that I liked. I mixed it with PALIKO CAME to make an industrial beat with weird rhythm sections."
Claire D
escape room designer (Netherlands)
"In our escape room, I mixed PERFORMANCE with LOST CHILDHOOD to create a strange, broken memory vibe. People said the sound creeped them out more than the visuals."
M1ST
experimental musician (Canada)
"PERFORMANCE works well for experimental music — I combined it with FOREST BELT for a piece that builds slowly, with rising background tension. It came out really textured."
Amelia T
theatre director
(UK)
"I used PERFORMANCE in a monologue scene on stage — it helped hold the silence. I added background from MEANING for a more emotional tone. Worked really well together."
05 - EPISODE
PALIKO CAME
$20
Files: 273
Sounds: ~1100
Size: 2.50gb
Info: PDF
Duration: 02:51:10
Folders: 5
Format: WAV - 24bit - 44kHz
PALIKO CAME — Glitch Horror Sound Library for Disrupted Realities
PALIKO CAME delivers glitch-heavy, unstable horror sound effects for digital nightmares, corrupted memories, and haunted tech spaces. This horror sound library is sharp, unpredictable, and rich in texture — ideal for games, experimental film, and dark sci-fi.
Built with the modular logic of the Alice’s Dreams season, it layers perfectly with all other libraries. PALIKO adds a fractured, electric tension to any horror audio project.
Perfect for audio artists who love broken rhythms, ghostly signals, and dissonant textures.
Liam R
indie filmmaker (Canada)
"PALIKO CAME has a really strange rhythm to it. I paired it with ALICE'S DREAMS in a short surreal animation — it made the whole thing feel slightly off, in a good way."
Claire D
escape room designer (Netherlands)
"We used PALIKO CAME for a haunted carnival scene in our escape room. Guests said the sound made them anxious before anything even happened."
JAY D
beatmaker
(USA)
"There’s this broken, twitchy texture in PALIKO CAME that I love for experimental beats.
Mia S
(USA)
"In my VR horror level, I used PALIKO CAME and THE PLASTIC WAS STILL WARM for glitchy background tension. It worked especially well in transition moments."
06 - EPISODE
LOST CHILDHOOD
$20
Files: 289
Sounds: ~1160
Size: 2.50gb
Info: PDF
Duration: 02:49:10
Folders: 6
Format: WAV - 24bit - 44kHz
LOST CHILDHOOD — Melancholic Horror Sound Library with Subtle Unease
LOST CHILDHOOD captures the quiet sadness and fading memories that linger beneath horror. This horror audio library delivers fragile textures, ghostly melodies, and soft dissonance — perfect for psychological horror, slow scenes, and narrative drama.
Each sound set includes variations with evolving emotional structure. It fits naturally into the modular system of Alice’s Dreams and blends with any other horror sound effects library from the season.
Ideal for creators exploring vulnerability, nostalgia, or emotional dread.
Ellie J
film student
(Australia)
"LOST CHILDHOOD has a few layers that work great under narration. I added a low pad from THE PLASTIC WAS STILL WARM and it really filled the space."
Claire D
escape room designer (Netherlands)
"In our escape room, we used LOST CHILDHOOD with PALIKO CAME to create an uneasy childlike atmosphere. It worked better than expected."
JAY D
beatmaker
(USA)
"I used LOST CHILDHOOD in a lo-fi beat — both have this nostalgic vibe that worked great together."
Amelia T
theatre director
(UK)
"We used LOST CHILDHOOD for a slow theatre scene about loss. I mixed it with FOREST BELT to give it a cold, still background."
07 - EPISODE
FOREST BELT
$20
Files: 275
Sounds: ~1100
Size: 2.60gb
Info: PDF
Duration: 02:54:34
Folders: 6
Format: WAV - 24bit - 44kHz
FOREST BELT — Organic Horror Sound Library for Deep Atmospheric Immersion
FOREST BELT is a textured, ambient horror sound library inspired by overgrown woods, unseen creatures, and ancient breath. Designed for immersive horror scenes, survival games, and audio theatre, this collection adds an organic pulse to your horror audio.
The sounds hum, watch, and linger — easily layered with other libraries from Alice’s Dreams. Use it as a background base or combine it with glitch and voice elements for contrast.
Liam R
indie filmmaker (Canada)
"FOREST BELT has this quiet pressure to it — like something’s watching. I used it with LOST SOULS in a scene set in the woods, and it felt really tense without being loud."
Claire D
escape room designer (Netherlands)
"We used FOREST BELT for a transition scene in our escape room. Added a few touches from PERFORMANCE to make it feel more unstable."
JAY D
beatmaker
(USA)
"FOREST BELT and THE PLASTIC WAS STILL WARM are a weird combo, but I used both in a lo-fi track and it somehow worked — moody and distant."
Amelia T
theatre director
(UK)
"In our stage play, FOREST BELT helped set the mood for a scene about getting lost. We mixed in elements from ALICE'S DREAMS to add a surreal feeling."
08 - EPISODE
THE GHOUL
$20
Files: 296
Sounds: ~1190
Size: 2.45gb
Info: PDF
Duration: 02:44:31
Folders: 6
Format: WAV - 24bit - 44kHz
THE GHOUL — Raw Horror Sound Library with Organic Distortion
THE GHOUL offers gritty, unstable horror sound effects — great for creature design, chase scenes, or distorted dream sequences. Its textures are rough, physical, and intentionally imperfect, giving your horror projects a raw emotional layer.
This horror sound library complements both ambient and aggressive setups. Combine it with MEANING, ALICE’S DREAMS, or PERFORMANCE to add pulse and friction.
Ideal for filmmakers, game developers, and sound artists who embrace chaos.
Arjun P
podcast producer (India)
"There’s a mechanical kind of breathing in THE GHOUL that I looped for a podcast scene. Combined with low textures from THE PLASTIC WAS STILL WARM, it sounded disturbing but calm."
Claire D
escape room designer (Netherlands)
"I like using THE GHOUL for the darker parts of a track.
Ellie J
film student
(Australia)
"I used THE GHOUL and PALIKO CAME together in a low-budget horror scene — and honestly, the sound carried it more than the visuals did."
Amelia T
theatre director
(UK)
"We used THE GHOUL together for a stage moment where the character starts to lose control. It sounded raw and off-balance — which was the point."
09 - EPISODE
SOMETHING IS WRONG
$20
Files: 325
Sounds: ~1300
Size: 2.50gb
Info: PDF
Duration: 02:48:14
Folders: 6
Format: WAV - 24bit - 44kHz
SOMETHING IS WRONG — Subtle Horror Sound Library for Psychological Suspense
SOMETHING IS WRONG is a quiet panic turned into sound. This horror audio library delivers restrained tension, eerie textures, and moments of still dread. Perfect for minimal horror, suspenseful scenes, or slow-burn narrative arcs.
It combines beautifully with LOST SOULS, FOREST BELT, or PERFORMANCE. All sounds follow the modular structure of the Alice’s Dreams season, enabling seamless transitions between emotional tones.
Wert-11
game developer (Germany)
"We used SOMETHING IS WRONG in a horror game puzzle scene. It’s subtle but makes players uncomfortable — which is exactly what we wanted."
Claire D
escape room designer (Netherlands)
"In our escape room, we added SOMETHING IS WRONG to a dark hallway scene. Blending it with PALIKO CAME made it feel glitchy and unstable."
M1ST
experimental musician (Canada)
"I used SOMETHING IS WRONG for an ambient soundscape and added slow pads from THE PLASTIC WAS STILL WARM. Together they gave off a quiet, paranoid feeling."
Arjun P
podcast producer (India)
"SOMETHING IS WRONG has a soft noise that builds really well. I used it under narration with PERFORMANCE and it never distracted, just added tension."
10 - EPISODE
THE PLASTIC WAS STILL WARM
$20
Files: 340
Sounds: ~1400
Size: 2.80gb
Info: PDF
Duration: 03:07:57
Folders: 6
Format: WAV - 24bit - 44kHz
THE PLASTIC WAS STILL WARM — Post-Human Horror Sound Library with Synthetic Decay
THE PLASTIC WAS STILL WARM explores post-human silence and synthetic residue. This horror sound library features mechanical hums, plastic drones, and sterile aftertones — ideal for sci-fi horror, dystopian worlds, and abstract art projects.
Despite its cold texture, it merges smoothly with organic libraries like THE GHOUL or PALIKO CAME, creating contrast-rich horror audio environments.
Great for designers working in VR, film, or experimental soundscapes.
Daniel S
YouTube creator
(USA)
"I’ve used pieces from THE PLASTIC WAS STILL WARM in a few of my horror shorts. They’re super versatile — sometimes I just let them run under the voiceover, and it instantly sets the mood."
LEX 404
Underground producer (Germany)
"I mixed pieces of THE PLASTIC WAS STILL WARM into a boom-bap beat — it gave the whole track this eerie, old-tape vibe. Super dope if you’re into darker stuff."
NIKA B
Rap artist
(UK)
"Used a layer from THE PLASTIC WAS STILL WARM in my last EP — just as an intro, but it set the whole mood. Got people asking where that sound came from."
Amelia T
theatre director
(UK)
"We used THE PLASTIC WAS STILL WARM in our stage production. It’s rare to find sound libraries that work well in live settings, but these did the job."